Crumb! I never knew he was so good.
On May 21, 2010, we attended the latest performance of counter)induction. The first piece, “Ikhoor” by Xenakis, a piece for string trio, was greatly enhanced for me by a conversation I recently had with my friend Ken, a violinist. I had said that classical music does not have distortion and he described several methods by which violinists can obtain unusual sounds.
One involves turning the bow on its side, a method that Xenakis used very well in this piece. Another involves lifting the strings and letting them fall against the bridge of the violin, which produces a sound that is very different from plucking.
This was followed by Pascal Dusapin’s Trio Rombach, a piece I did not like.
All of this was a prelude to the meat of the performance.